REYKJAVĆK, ICELAND ā Icelandair has launched a social media campaign that takes a tongue in cheek look at whether Iceland is a ārealā country as opposed to AI-generated.
The āExpedition Icelandā campaign was developed by social-first agency Kubbco in partnership with Icelandic agency HvĆta hĆŗsiư.
The two-minute film follows an online conspiracy theorist who doesnāt believe that Iceland is real, and confidently shares his views with his followers. Because how could its spectacular landscape with volcanoes, hot springs, lava fields, geysers, Northern lights, and puffins possibly be real?
His sister, who is confident in her knowledge that Iceland is indeed real, tries to prove it to him by taking him there. Informing her brother and a quirky third character that Iceland has an airline, her brother replies sarcastically: āGreat, is it called āIcelandairā?ā
As the group travels to Iceland, our hero remains sceptical, asking distrustful questions such as āIf we really are in Iceland, where is all the ice?ā and pointing out that they must be in the worldās largest warehouse watching a green screen because there are no trees and ātrees donāt grow on green screensā.
Throughout the film, the trio explores the beautiful Icelandic landscape, and while our conspiracy theorist friend argues that the puffins are robots and the hot springs are really just hot tubs, his conviction appears to wear off towards the end, when his sister encourages him to tell his followers that Iceland is a real country.
However, still wearing his T-shirt with the slogan āIceland is AI-generatedā, he changes his mind, grabs the phone and runs off, repeating his stance that Iceland isnāt real.
The film ends with a narrator saying the tagline āIceland. Itās real.ā
The campaign launched on 10 November and will run across Instagram, Facebook, Youtube, and the Icelandair website for four to six weeks. Additional fun content is expected to be rolled out, with details still to be confirmed.
GĆsli Brynjolfsson, Director of Marketing, Icelandair, said āIn these both strange and wonderful times, where AI is everywhere, we wanted a fun and culturally relevant way to show people that Iceland is as real and stunning as it gets. Kubbco instantly understood the mission and brought forward an idea that speaks the same language we all use online: playful, curious, and a little mischievous.
āThe collaboration with all agencies (Kubbco, Republik, and HvĆta hĆŗsiư, red.) has been both challenging and genuinely rewarding. Everyone brought their strengths, and the result is a campaign that feels both seamless, full of personality, and has the potential to live on in so many ways.
āThe response has been beyond what we hoped for so far. Seeing people laugh, share, and even plan their next trip to Iceland is ultimately why we do this.ā
David Juul Ledstrup, Executive Strategy Director at Kubbco, said āWe were introduced to an amazing concept and challenge by Icelandair, to show that Iceland isnāt AI-generated. Our task was to come up with something that would resonate on social media.


āArmed with cultural insights revolving around the use of humour, likeable characters, and spinning off the popularity (or frustration) of conspiracy theories and fake news, we created a social media concept and idea that has been overwhelmingly well-received by our audiences. Itās great to see how many people are interacting with this piece – and planning their next trip to Iceland.ā
CREDITS
Executive Creative Director: Emils Lukasevics
Social Media Concept and Script: Josefine Forslund-Dalsgaard
Executive Strategy Director: David Juul Lerdstrup
Account Management: Yu Zhao
Project Management: Tai Christensen
Broader Concept and Production: HvĆta hĆŗsiư
Director: Reynir Lyngdal
Production: Republik







