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Social is not what you think: Three shifts from the Spikes Asia Awards 2026 jury room

Propel Manila Executive Creative Director and jury member for Social & Creator Category Jao Bautista highlights metal-defining thinking that separated the winners from the rest

“But does the idea feel born for the social platform?”

This wasn’t a passing comment. It was the question that kept returning—quietly, persistently—throughout jury discussions in arguably one of the industry’s most misunderstood categories. Because Social & Creator is still often mistaken for a distribution channel.

It isn’t.

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Jury duty carries the responsibility of setting the benchmark for creative excellence. And in a show as expansive as Spikes Asia — with 26 categories — that standard has to be precise. In Social & Creator, the task was clear: reward creative work that celebrates “creative social thinking and strategic influencer marketing solutions.” The brief sounds straightforward. In reality, it demands something far more exacting: ideas that don’t just use social, but understand it deeply enough to turn participation into impact. As jury president Barbara Humphries (Chief Creative Officer of Droga5 ANZ, part of Accenture Song) put it, these award-winning social pieces will become the case studies agencies and marketers learn from.

Jury for Social & Creator and Digital Craft categories. Front row, left to right: Jennifer Tse | Social Media Director, Havas, Hong Kong SAR. Sorada Sonprasit | CEO, Publicis Groupe, Thailand. Back row, left to right: Jao Bautista | Executive Creative Director, Propel Manila, The Philippines. Rafael Imamniyazov | Creative Group Head, GForce Grey, Kazakhstan. Alan Leong | Content Solution Lead SEA, TikTok, South East Asia (recently moved to LinkedIn). Deepika Baghel | Senior Creative Director, Kinnect, India. Kazuki Tsuburaku | Managing Director and Executive Creative Director, Dentsu Digital, Japan. Jury President Barbara Humphries | Chief Creative Officer, Droga5 ANZ, part of Accenture Song, ANZ

Introduced in 2022 as “Social & Influencer,” the category has already evolved. What it rewards now is not presence, but fluency. Not content, but systems of engagement expressed through creative work that is excellent in idea, craft, and execution.

There is a world of difference between discussions in the shortlisting stage and those in the metal round. The latter are more rigorous, yet never cease to be inspiring. Here are some observable, award-defining approaches in standout work:

Shift #1: ‘Made for social’ is no longer just a claim. It’s a construction.

Being made for social now means ideas built at the intersection of three things: the brand message, a real-time cultural moment, and a native-to-platform execution. Not adapted, not reformatted, not resized. Social is not a format — it is culture in motion. The best work didn’t ‘show up’ on social, it was built from it. The winners below demonstrated that excellence: ideas built to live, spread, and evolve within social ecosystems and creator communities, not simply to appear in them.

Gold (“The Unofficial Sound of F1” by Leo India for STING)
Silver (“Uncovered” by Clemenger BBDO for Samsung)
Bronze (“The Unfluencer” by Publicis Thailand for KFC Thailand)

Shift #2: Virality is not the goal. Participation is.

Social isn’t just about going viral, but about engineered participation that drives brand impact. Virality is a byproduct, not the objective. The strongest work didn’t aim to be seen; it was designed to be used. It demonstrated not just reach, but what people did with the work — how it invited interaction, encouraged sharing, and gave audiences a role in amplifying the message. That behavior translates into tangible brand impact, a kind of excellence demonstrated by the winners below:

Gold (“Gamers on Duty” by Leo India for Lenovo)
Silver (“Kween Yasmin” by GIGIL for Canva Pro)
Bronze (“Say It Proud” Dentsu Creative Taiwan for SPEAK)

Shift #3: The idea is no longer finished at launch

Social redefines authorship: brands initiate, while creators and audiences shape outcomes that drive commercial success. Social has moved beyond treating influencers as distribution channels. The most compelling work positions creators as true creative partners, with audiences actively shaping outcomes. The winners below demonstrated excellence in this — where ideas were co-authored in the wild, driving both cultural relevance and measurable business results.

Grand Prix (“Vaseline Verified” by Ogilvy Singapore for Vaseline)
Silver (“It’s Out There” by TBWA\Melbourne for Nissan Patrol)
Bronze (“Bassi vs Garnier Men Facewash” by BBH India for Garnier Men)

Awards shows are competitions. Competitions exist to celebrate the level of excellence of a specific moment in time. That level of excellence becomes the standard. From an organizational standpoint—whether as an agency or an advertiser—part of getting better is measuring against that standard of excellence.

Are we keeping up? Where are we playing it safe? What would it take to meet the standard, or raise it?

And in a category like Social & Creator, the bar isn’t just moving, it’s being rebuilt in real time.

adobo Magazine is an official media partner of Spikes Asia 2026.

About The Writer

Jao Bautista has served as Spikes Asia 2026 jury member for three competitions: Spikes & Creator, Digital Craft, and Young Spikes Digital. He is the Executive Creative Director of Propel Manila, a Philippine independent, digital-first creative agency built for the speed of culture. Since 2010, the agency has helped brands stay relevant by engineering ideas that don’t just launch, but engage, participate, and convert. Operating at the intersection of strategy, creativity, digital, data, and AI-enabled co-creation, Propel Manila transforms modern marketing challenges into scalable, high-impact solutions.

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